Paris under the Commune by John Leighton

(19 User reviews)   4752
Leighton, John, 1822-1912 Leighton, John, 1822-1912
English
Hey, I just finished this incredible book that feels like finding a forgotten photograph album from a different world. It's called 'Paris under the Commune' by John Leighton. Forget dry history texts—this is a first-person account from an English artist who was trapped in Paris during the wild, chaotic, and brutally violent 72 days of the Paris Commune in 1871. Leighton isn't a distant historian; he's a guy trying to buy groceries while the city around him erupts into revolution and then gets crushed by the French army. He sketches what he sees, collects the bizarre posters plastered on walls, and writes down the rumors flying through the streets. It's history as it happened: messy, confusing, and terrifyingly real. If you've ever wondered what it's actually like to live through a revolution, this is the closest you'll get to a time machine.
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saw, we should have the horrible in all that was low and small. (VICTOR HUGO, 1848.) [Illustration:] PREFACE. Early in June of the present year I was making notes and sketches, without the least idea of what I should do with them. I was at the Mont-Parnasse Station of the Western Railway, awaiting a train from Paris to St. Cloud. Our fellow passengers, as we discovered afterwards, were principally prisoners for Versailles; the guards, soldiers; and the line, for two miles at least, appeared desolation and ruin. The façade of the station, a very large one, was pockmarked all over by Federal bullets, whilst cannon balls had cut holes through the stone wall as if it had been cheese, and gone down the line, towards Cherbourg or Brest! The restaurant below was nearly annihilated, the counters, tables, and chairs being reduced to a confused heap. But there was a book-stall and on that book-stall reposed a little work, entitled the “Bataille des Sept Jours,” a brochure which a friend bought and gave to me, saying, “_Voilà la texte de vos croquis_,” From seven days my ideas naturally wandered to seventy-three—the duration of the reign of the Commune—and then again to two hundred and twenty days—that included the Commune of 1871 and its antecedents. Hence this volume, which I liken to a French château, to which I have added a second storey and wings. And now that the house is finished, I must render my obligations to M. Mendès and numerous French friends, for their kind assistance and valuable aid, including my confrères of “_The Graphic_,” who have allowed me to enliven the walls with pictures from their stores; and last, and not least, my best thanks are due to an English Peer, who placed at my disposal his unique collection of prints and journals of the period bearing upon the subject—a subject I am pretty familiar with. Powder has done its work, the smell of petroleum has passed away, the house that called me master has vanished from the face of the earth, and my concierge and his wife are reported _fusillés_ by the Versaillais; and to add to the disaster, my rent was paid in advance, having been deposited with a _notaire_ prior to the First Siege.... But my neighbours, where are they? In my immediate neighbourhood six houses were entirely destroyed, and as many more half ruined. I can only speak of one friend, an amiable and able architect, who, alas! remonstrated in person, and received a ball from a revolver through the back of his neck. His head is bowed for life. He has lost his pleasure and his treasure, a valuable museum of art,—happily they could not burn his reputation, or the monument of his life—a range of goodly folio volumes that exist “_pour tous_.” L. LONDON, 1871. Contents PREFACE LIST OF PLATES AND ILLUSTRATIONS INTRODUCTORY CHAPTER The 30th October, 1870—The Hôtel de Ville invaded—Governor Trochu resigns—A Revolt attempted—Meetings, Place de la Bastille—The Prussians enter Paris—Hostility of the National Guard I. The Memorable 18th of March—Line and Nationals Fraternise—Discipline at a Discount II. Assassination of Generals Lecomte and Clément Thomas III. Proclamation of M. Picard—The Government retires to Versailles IV. The New Regime Proclaimed—Obscurity of New Masters V. Paris Hesitates—Small Sympathy with Versailles VI. The Buttes Montmartre VII. An Issue Possible—An Approved Proclamation VIII. Demonstration of the Friends of Order IX. The Drama of the Rue de la Paix—Victims to Order X. A Wedding XI. The Bourse and Belleville XII. Watching and Waiting XIII. A Timid but Prudent Person XIV. Some Federal Opinions XV. Proclamation of...

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Most history books tell you what happened. John Leighton’s account makes you feel the gunpowder in the air and the tension on the streets. He was a British illustrator living in Paris, and his book is a collection of his eyewitness notes, sketches, and the actual printed decrees and propaganda he gathered day-by-day.

The Story

In 1871, after France loses a war with Prussia, the working-class people of Paris feel betrayed by their own government. They rise up, take control of the city, and declare it an independent commune. For just over two months, Paris runs on a radical, socialist experiment. Leighton documents it all—the initial hope, the chaotic administration, the artistic fervor, and the growing paranoia. Then, the French army marches in to take the city back. What follows is 'Bloody Week,' a street-by-street battle that ends in massacre. Leighton doesn't give us a neat political analysis. He gives us the view from his window: the sound of cannons, the sight of bodies in the streets, and the strange quiet that follows.

Why You Should Read It

This book sticks with you because of its raw, unfiltered perspective. Leighton is sometimes sympathetic, sometimes horrified, and often just trying to make sense of the chaos. His sketches of barricades and his copies of the Commune’s vibrant, often poetic posters are fascinating. You see history not as a foregone conclusion, but as a series of confusing moments lived by real people. It captures the tragic gap between revolutionary ideals and the brutal reality of power and survival.

Final Verdict

Perfect for anyone who loves immersive history, true stories from the ground level, or narratives about cities in crisis. It’s a short, powerful read that’s more like a documentary film than a textbook. If you enjoyed books like The Days of the French Revolution or just want a gripping, human-scale look at a pivotal moment, pick this up. It’s a reminder that history is never just about ideas—it’s about the people who live through them.



🔖 Public Domain Content

This text is dedicated to the public domain. Enjoy reading and sharing without restrictions.

Emily Lee
1 year ago

Five stars!

Joshua White
7 months ago

Great read!

Aiden Sanchez
2 months ago

Very helpful, thanks.

Jackson Smith
2 weeks ago

From the very first page, the plot twists are genuinely surprising. This story will stay with me.

Carol Moore
1 year ago

I was skeptical at first, but the clarity of the writing makes this accessible. I would gladly recommend this title.

4.5
4.5 out of 5 (19 User reviews )

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